archaeological collection
Archived Posts from this Category
‘Pre-Hispanic Snake,’ vessel
Posted by Novica on 06 Oct 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
Coiled, with its head about to strike, this serpentine vessel is a fascinating testimony to history. Pablo Perez Vera recreates the original museum piece with faithful and vivid detail. The original artifact is also in near-pristine condition, for it was found in a tomb. P???rez Vera explains this snake vessel has the stylizations of Mexico’s Occidental Culture, of the late classic period, which flourished in the states of Jalisco, Colima and Nayarit between 600 and 900 AD. To ensure a faithful replica, Perez Vera works with local clay and natural pigments. P???rez Vera is authorized by the Mexican National Institute of Anthropology and History (INAH) to recreate this faithful replica. Therefore, his work bears the INAH’s logo and authorization number.
Cuzco vase, ‘Inca Calendar’
Posted by Novica on 01 May 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
The Paucar family breathes new life into ancient Peruvian customs by reviving the Inca calendar through flawless craftsmanship, smooth curves, and brilliant South American colors. Infused with the mystical knowledge of a venerable culture, this vase offers a luminous accent to any home d???cor.
Ceramic vessel, ‘Maya Profiles’
Posted by Novica on 23 Apr 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
Maya personages are portrayed in profile, their strong features interspersed with numerical symbols. Adorning a three-legged ceramic vessel, they figure in hieroglyphic inscriptions. A civilization with highly-developed art, architecture and astronomy, the Maya left a written record of their ancient cities in southwestern Mexico, Guatemala and Belize. This exquisite replica by Ernesto and Erik Basilio tells a story of its own.
Ceramic vase, ‘Fiery Warrior’
Posted by Novica on 22 Apr 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
The fiery visage of a Ghanaian warrior stares back at the viewer of this clay vase, enlightening centuries of artistic tradition. The dramatic look is completed by three horns crowning his head, perfect for a unique flower arrangement. Internationally famous artisan Samuel Lovi hand-crafts this piece in his Ghana workshop. Clay abounds in the southern part of Ghana; it takes an expert, however, to get the sand thoroughly washed out of the clay. In fashioning this piece, Lovi first prepares and molds the clay. He then fires the molded piece in a kiln at high temperatures, ensuring that it is hardened to the required strength. After cooling, it is hand-painted.
Ceramic vases, ‘Brave Warrior, Fierce Feline’ (pair)
Posted by Novica on 10 Apr 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
In celebration of Peru’s Nazca and Chim??? cultures, Miguel Sifuentes crafts captivating pair of ceremonial huaco vases. A valiant warrior dressed in Chim??? attire expresses courage and determination, while the Nazca vase features the feline’s rounded body with a human head between its fangs. Sifuentes replicates the huacos as he shapes them of ceramic with techniques developed by these early cultures.
Cuzco vases, ‘Huari Treasures’ (set of 4)
Posted by Novica on 09 Apr 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
Graceful curves of terracotta form a set of vases, crafted by the Paucar Family. Bands of intricate decoration reveal motifs characteristic of the Wari or Huari culture. Hand-painted with a palette of subdued earth tones and black outlines, the set of four emulates archeological treasures.
Ceramic vase, ‘Ghost Mask’
Posted by Novica on 08 Apr 2008 | Tagged as: archaeological collection, home accessories, home decor, novica, vases
The striking visage of a ghost graces this mysterious vase from the workshop of Samuel Lovi. The superior technique is evidenced in the enthralling facial features and fine texture, resulting from careful preparation of the clay. Clay abounds in the southern part of Ghana; it takes an expert, however, to get the sand in the clay thoroughly washed out. To fashion the piece, Lovi first prepares and molds the clay. He then fires the molded piece in a kiln at high temperatures, ensuring that it is hardened to the required strength. After cooling, it is hand-painted, providing its distinctive appearance.